I see the argument but can’t agree. To me it feels like pining for all of the lost typist jobs when word processors appeared.
Artists aren’t entitled to a job any more than I am; to the extent they (or I) do work that is easily replaced, by AI or offshoring or anything, that’s a career risk.
Those same tools enable artists to be more productive, more creative, more capable. The people suffering are those who are attached to the tools they learned with. We in tech know that’s a bad long term idea, and it is surprising in the arts. But on the whole, human creativity and overall output of great art will benefit from this change.
Artists aren’t entitled to a job any more than I am; to the extent they (or I) do work that is easily replaced, by AI or offshoring or anything, that’s a career risk.
Those same tools enable artists to be more productive, more creative, more capable. The people suffering are those who are attached to the tools they learned with. We in tech know that’s a bad long term idea, and it is surprising in the arts. But on the whole, human creativity and overall output of great art will benefit from this change.