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> Salieri is a tragic figure though - his response is one of contempt and hostility to the injustice of his life. But he's missed the point.

This is a gross falsehood spread after Salieri's death.



GP is describing Salieri in Amadeus. It is an absolutely correct description of the character.


So what is the non-tragic response?

Leaving music and working in some other craft, say, a carpenter or a doctor?

This means a lot of sunk cost and further sunk cost of retraining.

Ignoring the injustice? Then it will be perpetuated.

Or attempting to correct it, then hope you're able to? Hope runs out. (Actually movie Salieri did some messing with Mozart to correct the injustice in a destructive way. It didn't make him happy.)




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